YourChannel domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131ironband domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131“Pressure Plates”, the first track of the EP, is a triumphant, beautiful, and uplifting track balanced expertly with a powerful bass line and the signature wobbles that makes a Datsik tune so immediately recognizable. “Pressure Plates” is a peak hour weapon and is designed to leave crowds melted into puddles on dance floors.
There are a few producers whom Troy is observably in awe of. One of them is Virtual Riot. Last year, Virtual Riot joined Datsik’s Ninja Nation Tour and was often spotted providing free production tutorials on his laptop for any who would listen. Rumors about his ability to produce a tune on the road and then play it out that night increased the developing mythology surrounding him. So when Troy began to tease a massive collaborative project, the bass community went haywire. “Warriors of the Night” and “Freakuency” are those tunes, and they are as sinister and pulverizing as you can imagine. The tracks bring forth a few of the motifs pervasive in both the artist’s work–the Ninja and the customs surrounding this secretive warrior class and mosh pit inducing buzzsaw synth engineering. Samplings of traditional Japanese instrumentation create eerie and distant tones, but when the Riddim-inspired bass drops, it’s an all-out assault on your psychic core.
Datsik’s ability to merge the Rap and Dubstep world are the stuff of legend, and this EP reinforces that claim. Two tracks, “Bad Behavior” and “You’ve Changed” feature show-stopping Rap lyricism, and both are festival ready. For “Bad Behavior”, Datsik teams up with Ganja White Night and lyricist T Rabb, and this particularly lethal combination is a monster dead set on ripping your sanity apart. A big, bouncy bass line rolls underneath a generous sampling of Ganja White Night’s phenomenal production potential. Scorching synth stabs ignite the tune and T Rabb’s lyricism brings it to a white-hot heat. Ganja White Night has been making a steady rise through the industry, impressing promoters and talent buyers with their incredibly diligent work ethic and professionalism. No surprise Datsik brought them in for a collab.
The young Mech Hop King JPhelpz offers up his talents for “Ronin Riddim”, and the result is a satisfyingly crunchy romp through the Riddim equivalent of feudal Japan. JPhelpz has released prolifically with Firepower Records, and his skill has increased exponentially with each record. Datsik has cultivated his unique power, and it’s clear with this tune that JPhelpz is ready to be a Ronin—a masterless samurai. The tune is heavy, perfected, precise, but it’s the clever mech sound that shines through this riddim heater.
As a grand finale, Datsik harnesses the power of Excision and Dion Timmer for a collab that is specially designed for head banging. Might as well harness the potential energy of an exploding star, because this tune’s detonation will have lasting ripple effects across the dance music universe. The history Datsik and Excision share is legendary and well documented. With Dion Timmer’s fresh vision, the tune will not be stopped.
For more tour info and tickets visit -> www.ninjanationtour.com
The track listing for Master of Shadows is:
For more information in Datsik:
https://www.youtube.com/officialdatsik
https://www.facebook.com/djdatsik
https://www.instagram.com/datsik/
For More Information on Firepower Records:
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For Press Inquiries, contact:
Lee Underwood
Publicity Manager I Firepower Records
T: @leefprecs
Gram: @leefprecs
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Los Angeles (February 6, 2017) – Firepower Records is set to release JPhelpz’ newest EP, LEVELED, on February 24th, and he’s not playing games. The arc of JPhelpz’ career was shaped by his no-bullshit sound design philosophy and a tenacious work ethic, but this EP is JPhelpz at his absolute best. His previous releases with Firepower have garnered praise across the Bass Music world, but LEVELED is on a whole different level.
The title track, “LEVELED”, is a skull splitter. The intro works through a trap style beat construction and drops hard into a neo-riddim rager. JPhelpz has perfected the minimal mech-hop sound, and this track establishes that fact early. “Double 07” pushes the mech hop sound further by offering a sinister melody over the top of some quality synth stabs. The beat is minimal, but the space JPhelpz give the track to breathe only highlights the heavy synth arrangements resonating through the rest of the track.
“Turn it Up” goes heavy right away, toggling between the crispiness of a trapstyle beat break and the filth of a dubstep headbanger. The mechanical sounds that pulse through the track show JPhelpz musical vision. It’s his calling card, and it distinguishes him from all his contemporaries releasing today. As he pushes through “WOAH” JPhepz exemplifies the strength of the minimal. His tune is tightly constructed allowing only the essential sounds to pop through. The bass, then, is accentuated, and it’s a feast for any basshead.
Rounding out the EP is “Spicy Meatball”. JPhelpz ends his EP with an absolute Dubstep heater. Dubby where it needs to be, and hard as nails in others, the track is a peak hour atom bomb. It’s designed to annihilate the dancefloor. From the chainsaw synth, to the gnarly breakdowns, “Spicy Meatball” will leave you reaching for the fire extinguisher.
Tracklisting for LEVELED:
For more info in JPhelpz:
https://www.facebook.com/jphelpzdubstep
https://www.youtube.com/jphelpz
For More Information on Firepower Records:
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For Press Inquiries, contact:
Lee Underwood
Publicity Manager I Firepower Records
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