YourChannel domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131ironband domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131“Fuck Bitches Get Honey”, the first track on the EP, sets up a common problem among those struggling to reconcile their celebrity status with a basic need for the bear necessities. It’s a particularly complex conundrum for Bear Grillz. The track goes large immediately, spotlighting the familiar buzzsaw synth and big dubstep beat structure fans have come to love. New to this EP, though, is a heightened emphasis on melody creation through the use of sweeping euphoric synth arrangements. By pre-empting the international big room sound and forging it together with sawtooth synths, the track transforms into a mind-altering face-melter. This technique is perfected in “Everyday”, which leans on chiller and funkier musical components. Bear Grillz isn’t a softy, though; it doesn’t matter how many hugs he gives to fans before and after his shows. He wants to rage and expects the same from his audiences. So despite the clever key progressions and melodic overtones, the track drops into headbang territory real quick.
It’s not a new move for Bear Grillz to tease out multiple dance music genres within his tracks. “Going Down (Under)” is both an homage to his love of all things Australian (we have it on good authority that more than a few Aussie DJ’s have attempted to smuggle Bear back to Sydney in their suitcases), and his love of dance floor mosh pits. “Going Down (Under)” has at its core a Hardstyle beat structure designed to incite heavy moshing during peak hour. But when the track drops back into a filthy lazer-infuzed Dubstep section, the only option is to promptly lose your mind.
Rounding out the EP is “Back On Top”, and it’s quintessential Bear Grillz. Returning to musical themes of past EPs, the track toggles between familiar synth arrangements and vocal samplings. It’ll make the BG purists smile, and it feels like getting a big furry musical bear hug. The biggest part of this track, though, is the drop. The buildup makes you ache with anticipation, and when the drop hits, it cleaves your sanity cleanly and completely away from your mind. Any follower of Bear Grillz knows how much work he puts into ensuring his drops are insane. This track is no exception.
The track listing for Mo Honey Mo Problems is:
For more information on Bear Grillz:
For More info on Firepower Records:
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For Press Inquiries, contact:
Lee Underwood
Publicity Manager I Firepower Records
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Leading the EP is the title track “Wild to the Kore”, and it’s the sonic equivalent of a kick in the gut. xKore’s intention is to rattle listeners to the “Kore”, and this track does not fail at doing just that. “Full Clip”, the second track on the EP, increases the pressure with an onslaught of mind numbing chainsaw synths and stabs. When played back to back, this combination of tracks can act as an efficient tool for separating oneself from their sanity.
“PULL UP” moves into uncharted territory by slicing up the traditional Drum and Bass, Dubstep and Trap genres and reassembling them into a monster peak hour banger. It’s a welcome addition to the heavier Dubstep grime holding down the first half of the EP. The last track of the EP “Go Hard” reveals a producer who has perfected his craft. He builds the tune using a heavy Trap platform and then explodes into a dancefloor-crushing hardstyle section. xKore knows his audience well, and for those fans who have been craving a return to the filthy beats, this EP is for you.
The tracklisting for Wild to the Kore is:
1. xKore – “Wild to the Kore”
2. xKore – “Full Clip”
3. xKore – “ PULL UP”
4. xKore – “ Go Hard
For more information on xKore:
http://www.facebook.com/xKoreOfficial
http://www.twitter.com/xKore
http://www.soundcloud.com/xKore
http://www.instagram.com/xKore
For more information on Firepower Records:
firepowerrecords.com/
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For Press Inquiries, contact:
Lee Underwood
lee@firepowerrecords.com
Publicity Manager I Firepower Records