YourChannel domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131ironband domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131Firepower Records is incredibly excited to kick off 2019 with no other than our heavy hitter JPhelpz, with his brand-new project. Aptly titled ‘Maximum Damage’ EP is certain to hit the masses with some serious ammo – you’ve been warned! The five track EP packs some serious heat from start to finish that’s sure to get those senses tingling. So, proceed with caution!
Starting things off, JPhelpz showcases “BREAK YO NECK”which is very straightforward with its intentions, as you can tell from the title. With a haunting introduction that warns to proceed with caution, things take a turn for the danger zone before you’ve been able to properly grasp what’s to come. Leading straight into a pulverizing bassline, JPhelpz aims at pure destruction with a bassline that aims for blood with two drops that settle in the forefront of your subconscious, leaving you hungry for more.
Following up in proper fashion, “DAMAGE”steps up to the plate with a heavily influenced hip hop introduction that entices right from the start. Flexing with some serious mech vibes, JPhelpz stuns with an impeccable break down with a jumpy step that’s sure to get the masses rockin’ from side to side, before the bassline really sinks its teeth into you. With a second drop that settles in even better than the first, JPhelpz proves “DAMAGE” isn’t meant for the faint of heart.
Next up, “OG”brings the heat in proper JPhelpz fashion – you know what we mean here. Returning to the throne with his signature sound and aggressive buildup, JPhelpz quickly proves his talents are simply unmatched. Shedding light on a wobbly bassline that’s meant to get those booties percolating, JPhelpz keep it grimey with a heavy low-end that takes over your body before you know it. With a second drop that comes in for the kill, “OG” reaffirms his status as one of the genres biggest players.
With heavy roots in the genre of metal, it’s only proper that JPhelpz brings them to the forefront with “SUPPRESSOR”as it grips your attention right from the start with relentless guitar riffs. Aiming right from the jugular, the ominous introduction wastes little time before pulling out all the stops with a wobbly bassline paired with gnarly growls that cause some serious bass face. Leaving some breathing room between drops, JPhelpz makes sure to finish off strong with a second drop that hits even harder than the first.
Closing out the project proper, JPhelpz pulls out all the stops with “TANKED”. Hitting the ground running with another wobbly bassline, “TANKED” offers up some serious heat in the form of unrelenting bass oblivion. Serving up a flawless high energy beat, this one certainly shows off in true JPhelpz style. Moving you into another dimension of dizzy bassline aftermath, “TANKED” doesn’t let up from start to finish and showcases the infectious sound he’s known for.
The tracklisting for ‘Maximum Damage’ EP is:
For more information on JPhelpz:
www.facebook.com/jphelpzdubstep/
For more information on Firepower Records:
https://www.facebook.com/FirepowerRecs/
https://www.instagram.com/firepowerrecs/
https://soundcloud.com/firepowerrecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For press inquiries, please contact:
Bianca Silva
Publicity Coordinator | Firepower Records
]]>“Ghost Boogie” starts out strong with a powerful guitar ballad riff, an homage to the heavy rock background of Hi I’m Ghost, and it will anchor the tune through it’s insane drops and expertly crafted synth designs. But what catches the conscience of the crowd is the precision of the audio engineering. Sounds layered together create an impenetrable wall of noise that rattles guts and claims souls simultaneously. It’s festival ready and will test the integrity of whatever speakers it’s pushed through.
“Pow Pow” can go ahead and claim it’s rightful position on your setlist. An ominous buildup hypnotizes the audience, dropping them into a vicious Riddim roller all at once. What follows is complete audio annihilation, and the pulsing synth constructions are designed to instigate egregious displays of gunfinger maneuvering. As with “Ghost Boogie” the prevailing characteristic of the tune is its creativity. The track pulverizes the audience with a range of clever design techniques, which will keep crowds hooked on every sound.
For more information on Hi I’m Ghost:
https://www.facebook.com/hiimghostsound
https://twitter.com/hiimghostsound
https://www.instagram.com/hiimghostsound/
https://www.youtube.com/hiimghostsound
https://www.hiimghostsound.com/
https://open.spotify.com/artist/7IyxUmBgkkV4jh7kHoip34?si=aOH-fQUFQGWPTM37n7LFtg
For more information on Firepower Records:
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For Press Inquiries, contact:
Lee Underwood
Publicity Manager I Firepower Records I Twitter: @leeFPRecs
]]>Starting the EP is “League” featuring Datsik, and it’s a full-on audio assault. The tune leads in with a sinister buildup and drops straight into the purifying fires a bass fueled inferno. As the track cycles through various inventive beat structures, the alternating sound designs pioneered by both Carbin and Datsik engage with each other. The experience is like listening to two phenom musicians taking turns showing audiences the range of their musical potential. The result is a tune that is always reshaping itself into bigger and bigger drops.
“Twenty-2-Life” is Carbin at his most formidable. With a euphoric topline initiating the track and a powerful sub bass rumbling guts underneath, this future classic riddim roller is designed to leave audiences in puddles. Carbin’s notorious synth stabs only feeds the frenzy, and his wall-of-sound design technique ensures a total immersion in the tune. Carbin knows exactly what he wants to do, always has, and an even more acute sense of how he wants the audience to react. “Twenty-2-Life” is study in crowd control.
Next up is “Not Your ID”, and like “Twenty-2-Life” it pumps from the bottom to the top. A heavy sub-bass undergirds the tune, carrying it along like a deep ocean swell. Carbin sustains the wave with expertly arranged synth structures and layering designs that fill the entirety of the tune. As the track crashes onto audiences on the dance floor, they’re swept away into bass bliss.
“All Night”, featuring the crown prince of bass music lyricism, Armanni Reign, slows the flow of the EP down for a sexy trap-hop hybrid. Booties will drop, and as Carbin invites us to shed our often restricted day-time personas for the creative potential of our ratchet rave avatars, we’re reminded about the importance of getting deep, down, and low.
Ending the EP is “City Lights”, and it’s a gorgeous euphoric treatment of bass-hybrid theory. Similar to “All Night”, Carbin slows the dance floor down and centers the energy of the tune on the groove centers of our consciousness. These last two tunes reveal a musical intelligence that outstretches the frame of the genres in which Carbin produces. His range is unlimited and his style is impeccable, and both characteristics will carry Carbin into the upper echelons of Bass Music’s hall of heros very soon.
The Tracklisting for The Formula is:
For more information on Carbin:
https://www.facebook.com/CarbinOfficial
https://twitter.com/CarbinOfficial
https://www.instagram.com/carbinofficial/
https://www.youtube.com/channel/UCLjGG7UHLWH_o16m3zqd_OA
For more on Firepower Records:
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For Press Inquiries, contact:
Lee Underwood
Publicity Manager I Firepower Records I Twitter: @leeFPRecs
]]>Firepower Records is set to release the 7th installment of our Flatline Compilation on November 17th, 2017, and it features a squadron of next generation battle-ready bass bombardiers. Since its inception, the Flatline Compilation has featured the brightest and most diverse new talents emerging in the bass music world. Don’t be fooled—the names you see on the track list may be new, but one spin of the track and it’s clear these artists are wise beyond their years.
First up is Felmax and Purge with “Gangsta” and it’s a trippy Trapstyle heater. Deep sub-bass structures roll underneath a sinister series of nightmarish synth stabs. The expert lyricism haunts the tune, and as the massive drop hits, you’re already trapped in a gangsta’s bad dream.
Noya comes out swinging with “Sanctum”. A filthy dub-riddim hybrid beat is punctuated with a scorching synth construction designed to level entire city blocks. There are sections of this tune powerful enough to brings dance floors to their knees instantaneously, which makes this track a must-have set-list weapon.
Blaqout’s “Filthy Friend Switch” reveals a producer in complete control over his production abilities. No surprise there, he’s been crushing the bass music game for a while now. This tune is immensely creative, technically complex, and proves Blaqout is ready for the main stage.
Orii is not playing around when it comes to “Vicious”. With years of professional production mastery under his belt, ORII recently switched gears and is investing his encyclopedic knowledge and phenom-level talent into bass music—this tune is the result. Microscopic in his approach to track engineering, the tune goes through multiple iterations of bass music vibes and ultimately lands on a metal-inspired double up designed to ignite crowds into a frenzied madness.
The tracklisting for Flatline Volume 7:
For more information on Firepower Records:
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For Press Inquiries, contact:
Lee Underwood
Publicity Manager I Firepower Records I Twitter: @leeFPRecs
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