YourChannel domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131ironband domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131Preorder Take Aim here: https://firepowerrecords.lnk.to/takeaim
Los Angeles (October 17thth, 2017) – Firepower Records is beyond thrilled to announce the forthcoming release of Kompany’s Take Aim EP, and the amount of savagery he’s pumped into this project would make marauding Visigoths shudder in fear. Kompany’s rise through the ranks of bass music’s elite has been hard won and much deserved. After graduating from LA’s prestigious ICON music production school, he’s gone on to release a steady stream of tunes both independently and with label support. This will be his second EP with Firepower Records, and certainly not his last. With a bass face that could melt steel, Kompany’s music continues to demolish dance floors across the nation. Catch him on Bear Grillz’ Freakshow tour this winter.
The first tune on the EP, “Take Aim”, features long time-firepower fam lyricist Mikey Ceaser, and he takes no prisoners here. Kompany engineers a generous platform for Mikey’s lyrical swordplay while delivering some nefarious bass bombs. Kompany’s penchant for the darker sides of Dubstep come through here in the various sinister synths he expertly constructs. The tune is a bone crusher.
“Go Off” is designed to make crowds lose their shit, plain and simple. It’s a rail rider’s dream, an air conductor’s magnum opus. If you’ve seen Kompany play recently you may have witnessed him conducting the savage synths of this tune as they pummel the crowd. It’s a sight to behold. The track is perfectly balanced, toggling between dark musical narratives and full-forced walls of sound.
“Eclipse” is arguably the centerpiece of this EP. Kompany’s production skill is revealed here through his ability to build complex musical stories, which feed right into gargantuan drops. Huge beats roll the tune forward like a massive soul-devouring robot of the apocalypse, and the effect the tune has on the crowd is unmitigated madness.
Squaring off the EP is Kompany’s collaboration with Adair call “Fuk’d”. It’s a genre-bending romp through the bass music universe. An intoxicating break beat leads the tune into hip-swiveling territory real quick. Then the beat breaks down into a hard-as-nails, knee-buckling trap style section. The result is a wonderfully fresh take on bass music. “Fuk’d” is a perfect dance floor weapon for stirring the audience into frenzied hysteria.
Track list for Take Aim:
snapchat: kompanymusic
For More Information on Firepower Records:
Beatport.com/label/firepower/24439
For press inquiries, please contact:
Lee Underwood
Publicity Manager I Firepower Records
]]>
Los Angeles (March 13, 2017) – Firepower Records is beyond stoked to announce that Kompany’s forthcoming release, Kill Humans, is set to drop on March 31st, and it’s straight murderous. From the shadows of anonymity to the halls of the esteemed Icon Collective Music Production School, Kompany has devoted his life to perfecting the craft of bass music production. Hailing from the bucolic town of Temecula, California, Kyle Hagberg grew up with drumsticks in his hands and a skateboard under his feet. He was an early devotee of bass music revolutionaries Datsik and Skrillex, and if this EP says anything about Kompany’s production prowess, it’s that he’s on his way to earning a spot alongside those prestigious producers.
The title track, “Kill Humans” is vicious in all the right ways. A sinister introduction plows right into a massive drop. The tone is set—dark and heavy and bloody. “Kill Humans” hits the listener hard, but it’s the intricate sound designs creeping through the track that supplies it with its power. Kompany’s attention to detail pays off here, and the track is loaded with sound constructions that send this tune into the stratosphere.
“Creepin’” toys with a future bass topline, but just as the euphoria sets in, Kompany pummels the listener with a pulverizing trapstyle drop. The sub bass is a killer here, too, like a silent assassin creepin’ in the shadows waiting to strike without warning. In “Arcadia”, a track he produced with TYNVN, he briefly sensationalizes the melody again, and it reaches deep inside the emotional core that lives deep inside every true raver’s heart. It doesn’t last long, though, and a scorching synth tears through the braincase. The track hits level 1000 head bang territory without warning.
Kompany’s greatest strength with this EP may be his ability to present the listener with incredibly lucid audio imagery through his cinematic soundscapes. Squaring out the EP is “At Em”, another stroke of bass production genius and a perfect end to the story of this EP. The track takes the listener down through the subterranean worlds where bass originated. Dark and murky, the track moves along in shadows until it drops into head bang territory. A razor-sharp synth pulses through and rattles the brain, and you’re left satisfied. Dizzy, but satisfied.
The tracklisting for Kill Humans is:
For More Information on Kompany
soundcloud.com/kompanymusic
facebook.com/kompanymusic
twitter.com/kompanymusic
instagram.com/kompanymusic
snapchat: kompanymusic
For More Information on Firepower Records:
FirepowerRecords.com
Beatport.com/label/firepower/24439
Facebook.com/firepowerrecs
Twitter.com/firepowerrecs
Soundcloud.com/firepowerrecs
For press inquiries, please contact:
Lee Underwood
Publicity Manager I Firepower Records
]]>
Los Angeles (February 20, 2017) Firepower Records is set to release Wooli’s new EP The Cave on March 10th, and we’re especially stoked because we get to introduce an absolute phenom to the light of the bass music world. Hailing from the East Coast, Wooli has managed to impress just about every major Bass Music producer out there. After chaining himself to his studio, Wooli has emerged from the lab with nothing but fire. His style is impeccable and his production skills are exceptional. This EP proves that it’s hard work and a commitment to the grind that takes us out of the dark caves of creative chaos and into the light of success.
Wooli teams up with another Bass Music young gun, Kompany, for the title track “The Cave”. We are immediately dropped into the dark caves of the mind. The drop hits, and a scorching synth arrangement tears through the tune. The cinematic soundscape evokes images of terrified primordial humans caught in a great struggle for survival. Bass music seems like a perfect soundtrack to this kind of scarce existence, and this tune captures that tension perfectly.
“Wave It Up” featuring Clinton Sly rolls in with a classic dub style melody and catchy topline. But it hits hard. Huge powerful synths blare out like horns of war, and the searing stabs pummel through any mental lines of defense you’ve established. The tune is a head banger, and you’ll have very little control over how your body reacts.
For “Big Beat”, Wooli teams up with Tyro, and the result is amazing. The sample used is perfect, and Wooli cleverly incorporates it through the tune by cutting it into the beat structure. He blasts his signature synths against his sound design, and it’s clear Wooli has every intention of placing this as a peak hour banger.
Wooli shows off his future bass talent alongside the production wizardry of BENTZ. “Finale” is the massive big room crowd pleaser we all need right now. Sporting a huge beat structure, the extremely beautiful and complex melodic structures all rise together to create a wall of sound that strips the audience of their sanity. The track is euphoric and triumphant. Hands will rise. It’s a perfect upper for a set that needs to get the crowds back on track.
The Tracklisting for The Cave is:
For More Information on Wooli:
For More Information on Firepower records:
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For Press Inquiries, contact:
Lee Underwood
Publicity Manager I Firepower Records
]]>