Preorder Take Aim here: https://firepowerrecords.lnk.to/takeaim

Los Angeles (October 17th^th, 2017) – Firepower Records is beyond thrilled to announce the forthcoming release of Kompany’s Take Aim EP, and the amount of savagery he’s pumped into this project would make marauding Visigoths shudder in fear. Kompany’s rise through the ranks of bass music’s elite has been hard won and much deserved. After graduating from LA’s prestigious ICON music production school, he’s gone on to release a steady stream of tunes both independently and with label support. This will be his second EP with Firepower Records, and certainly not his last. With a bass face that could melt steel, Kompany’s music continues to demolish dance floors across the nation. Catch him on Bear Grillz’ Freakshow tour this winter.

The first tune on the EP, “Take Aim”, features long time-firepower fam lyricist Mikey Ceaser, and he takes no prisoners here. Kompany engineers a generous platform for Mikey’s lyrical swordplay while delivering some nefarious bass bombs. Kompany’s penchant for the darker sides of Dubstep come through here in the various sinister synths he expertly constructs. The tune is a bone crusher.

“Go Off” is designed to make crowds lose their shit, plain and simple. It’s a rail rider’s dream, an air conductor’s magnum opus. If you’ve seen Kompany play recently you may have witnessed him conducting the savage synths of this tune as they pummel the crowd. It’s a sight to behold. The track is perfectly balanced, toggling between dark musical narratives and full-forced walls of sound.

“Eclipse” is arguably the centerpiece of this EP. Kompany’s production skill is revealed here through his ability to build complex musical stories, which feed right into gargantuan drops. Huge beats roll the tune forward like a massive soul-devouring robot of the apocalypse, and the effect the tune has on the crowd is unmitigated madness.

Squaring off the EP is Kompany’s collaboration with Adair call “Fuk’d”. It’s a genre-bending romp through the bass music universe. An intoxicating break beat leads the tune into hip-swiveling territory real quick. Then the beat breaks down into a hard-as-nails, knee-buckling trap style section. The result is a wonderfully fresh take on bass music. “Fuk’d” is a perfect dance floor weapon for stirring the audience into frenzied hysteria.

Track list for Take Aim:

1. Kompany – “Take Aim” Featuring Mikey Ceaser
2. Kompany – “Go Off”
3. Kompany – “Eclipse”
4. Kompany & Adair – “Fuk’d”

For More Information on Kompany

soundcloud.com/kompanymusic

facebook.com/kompanymusic

twitter.com/kompanymusic

instagram.com/kompanymusic

snapchat: kompanymusic

For More Information on Firepower Records:

FirepowerRecords.com

Beatport.com/label/firepower/24439

Facebook.com/firepowerrecs

Twitter.com/firepowerrecs

Soundcloud.com/firepowerrecs

For press inquiries, please contact:

Lee Underwood

lee@firepowerrecords.com

Publicity Manager I Firepower Records

Los Angeles (February 27, 2017) – Firepower Records is beyond thrilled to announce the release of 40oz Cult’s co-founder and gangster rap aficionado Dack Janiels’ forth coming EP Swangin on March 17th, and it goes hard AF. Every track is a set list smash-fest, and each is an obvious option-A tune for taking crowds to the edges of insanity. Expertly arranged and masterfully crafted, these tracks show an artist whose production prowess transcends the ordinary. Dack Janiels let his beasts of bass music production out for a bit of feeding frenzy, and there’s blood everywhere. What follows is the absolute carnage of that feast.

The first track off the EP, “Wut Da Fuq”, is a straight audio assassin. The lead-in presents a sinister horror-movie-esque tone with an eerie melody, but, as the drop hits, the synth pulses incessantly and slams you to the ground. The track is loud and aggressive and breaks only long enough for you to gather your sanity before slamming you to the ground again.

“Swangin” goes in big with sweeping key patterns and intriguing vocal samples, but it doesn’t take long before the buzz-saw synths tear through you braincase. Delightfully surprising is Dack Janiels homage to the artistry of record scratching. Sections of the track feature the technique lending the track an organic, throwback vibe.

The third track on the EP, “Knifing”, is the audio equivalent of a full on street fight. Dack’s frequent foray into 80’s era synths and samples is present here, and the track is much more hype as a result. The tune rages, and the frenetic synth constructions are absolutely crushing. A DJ who starts a set with this tune will have the dance floor in puddles within minutes.

Squaring out the EP is “Bring It”, and the organic scratch samples become Dack Janiel’s prominent feature. His gangster rap upbringing shines through here, and the track bangs as a result. “Bring It” is fun and vibey, and you need it in your set list asap.

The track listing for Swangin is:

1. Jack Daniels – “Wut Da Fuq”
2. Jack Daniels – “Swangin”
3. Jack Daniels – “Knifing”
4. Jack Daniels – “Bring It”

For more information on Dack Janiels:

https://www.facebook.com/DackJaniels666/

https://twitter.com/dackjanielsdub

https://www.instagram.com/dackjaniels/

http://dackjaniels.us/

For More Information on Firepower records:

www.firepowerrecords.com/‎

https://soundcloud.com/firepowerrecs

https://www.facebook.com/FirepowerRecs

https://twitter.com/firepowerrecs‎

www.youtube.com/user/FirepowerRecs‎

For Press Inquiries, contact:

Lee Underwood

lee@firepowerrecords.com

Publicity Manager I Firepower Records