Los Angeles (March 13, 2017) – Firepower Records is beyond stoked to announce that Kompany’s forthcoming release, Kill Humans, is set to drop on March 31^st, and it’s straight murderous. From the shadows of anonymity to the halls of the esteemed Icon Collective Music Production School, Kompany has devoted his life to perfecting the craft of bass music production. Hailing from the bucolic town of Temecula, California, Kyle Hagberg grew up with drumsticks in his hands and a skateboard under his feet. He was an early devotee of bass music revolutionaries Datsik and Skrillex, and if this EP says anything about Kompany’s production prowess, it’s that he’s on his way to earning a spot alongside those prestigious producers.

The title track, “Kill Humans” is vicious in all the right ways. A sinister introduction plows right into a massive drop. The tone is set—dark and heavy and bloody. “Kill Humans” hits the listener hard, but it’s the intricate sound designs creeping through the track that supplies it with its power. Kompany’s attention to detail pays off here, and the track is loaded with sound constructions that send this tune into the stratosphere.

“Creepin’” toys with a future bass topline, but just as the euphoria sets in, Kompany pummels the listener with a pulverizing trapstyle drop. The sub bass is a killer here, too, like a silent assassin creepin’ in the shadows waiting to strike without warning. In “Arcadia”, a track he produced with TYNVN, he briefly sensationalizes the melody again, and it reaches deep inside the emotional core that lives deep inside every true raver’s heart. It doesn’t last long, though, and a scorching synth tears through the braincase. The track hits level 1000 head bang territory without warning.

Kompany’s greatest strength with this EP may be his ability to present the listener with incredibly lucid audio imagery through his cinematic soundscapes. Squaring out the EP is “At Em”, another stroke of bass production genius and a perfect end to the story of this EP. The track takes the listener down through the subterranean worlds where bass originated. Dark and murky, the track moves along in shadows until it drops into head bang territory. A razor-sharp synth pulses through and rattles the brain, and you’re left satisfied. Dizzy, but satisfied.

The tracklisting for Kill Humans is:

1. Kompany – “Kill Humans”
2. Kompany – “Creepin”
3. Kompany & TYNVN – “Arcadia”
4. Kompany – “At Em”

For More Information on Kompany

soundcloud.com/kompanymusic

facebook.com/kompanymusic

twitter.com/kompanymusic

instagram.com/kompanymusic

snapchat: kompanymusic

For More Information on Firepower Records:

FirepowerRecords.com

Beatport.com/label/firepower/24439

Facebook.com/firepowerrecs

Twitter.com/firepowerrecs

Soundcloud.com/firepowerrecs

For press inquiries, please contact:

Lee Underwood

lee@firepowerrecords.com

Publicity Manager I Firepower Records

Los Angeles (February 27, 2017) – Firepower Records is beyond thrilled to announce the release of 40oz Cult’s co-founder and gangster rap aficionado Dack Janiels’ forth coming EP Swangin on March 17th, and it goes hard AF. Every track is a set list smash-fest, and each is an obvious option-A tune for taking crowds to the edges of insanity. Expertly arranged and masterfully crafted, these tracks show an artist whose production prowess transcends the ordinary. Dack Janiels let his beasts of bass music production out for a bit of feeding frenzy, and there’s blood everywhere. What follows is the absolute carnage of that feast.

The first track off the EP, “Wut Da Fuq”, is a straight audio assassin. The lead-in presents a sinister horror-movie-esque tone with an eerie melody, but, as the drop hits, the synth pulses incessantly and slams you to the ground. The track is loud and aggressive and breaks only long enough for you to gather your sanity before slamming you to the ground again.

“Swangin” goes in big with sweeping key patterns and intriguing vocal samples, but it doesn’t take long before the buzz-saw synths tear through you braincase. Delightfully surprising is Dack Janiels homage to the artistry of record scratching. Sections of the track feature the technique lending the track an organic, throwback vibe.

The third track on the EP, “Knifing”, is the audio equivalent of a full on street fight. Dack’s frequent foray into 80’s era synths and samples is present here, and the track is much more hype as a result. The tune rages, and the frenetic synth constructions are absolutely crushing. A DJ who starts a set with this tune will have the dance floor in puddles within minutes.

Squaring out the EP is “Bring It”, and the organic scratch samples become Dack Janiel’s prominent feature. His gangster rap upbringing shines through here, and the track bangs as a result. “Bring It” is fun and vibey, and you need it in your set list asap.

The track listing for Swangin is:

1. Jack Daniels – “Wut Da Fuq”
2. Jack Daniels – “Swangin”
3. Jack Daniels – “Knifing”
4. Jack Daniels – “Bring It”

For more information on Dack Janiels:

https://www.facebook.com/DackJaniels666/

https://twitter.com/dackjanielsdub

https://www.instagram.com/dackjaniels/

http://dackjaniels.us/

For More Information on Firepower records:

www.firepowerrecords.com/‎

https://soundcloud.com/firepowerrecs

https://www.facebook.com/FirepowerRecs

https://twitter.com/firepowerrecs‎

www.youtube.com/user/FirepowerRecs‎

For Press Inquiries, contact:

Lee Underwood

lee@firepowerrecords.com

Publicity Manager I Firepower Records

Los Angeles (February 20, 2017) Firepower Records is set to release Wooli’s new EP The Cave on March 10^th, and we’re especially stoked because we get to introduce an absolute phenom to the light of the bass music world. Hailing from the East Coast, Wooli has managed to impress just about every major Bass Music producer out there. After chaining himself to his studio, Wooli has emerged from the lab with nothing but fire. His style is impeccable and his production skills are exceptional. This EP proves that it’s hard work and a commitment to the grind that takes us out of the dark caves of creative chaos and into the light of success.

Wooli teams up with another Bass Music young gun, Kompany, for the title track “The Cave”. We are immediately dropped into the dark caves of the mind. The drop hits, and a scorching synth arrangement tears through the tune. The cinematic soundscape evokes images of terrified primordial humans caught in a great struggle for survival. Bass music seems like a perfect soundtrack to this kind of scarce existence, and this tune captures that tension perfectly.

“Wave It Up” featuring Clinton Sly rolls in with a classic dub style melody and catchy topline. But it hits hard. Huge powerful synths blare out like horns of war, and the searing stabs pummel through any mental lines of defense you’ve established. The tune is a head banger, and you’ll have very little control over how your body reacts.

For “Big Beat”, Wooli teams up with Tyro, and the result is amazing. The sample used is perfect, and Wooli cleverly incorporates it through the tune by cutting it into the beat structure. He blasts his signature synths against his sound design, and it’s clear Wooli has every intention of placing this as a peak hour banger.

Wooli shows off his future bass talent alongside the production wizardry of BENTZ. “Finale” is the massive big room crowd pleaser we all need right now. Sporting a huge beat structure, the extremely beautiful and complex melodic structures all rise together to create a wall of sound that strips the audience of their sanity. The track is euphoric and triumphant. Hands will rise. It’s a perfect upper for a set that needs to get the crowds back on track.

The Tracklisting for The Cave is:

1. Wooli & Kompany – “The Cave”
2. Wooli – “Wave It Up” (Feat. Clinton Sly)
3. Wooli & Tyro – “Big Beat”
4. Wooli & BENTZ – “Finale”

For More Information on Wooli:

www.facebook.com/woolimusic

www.twitter.com/woolimusic

www.soundcloud.com/woolimusic

www.instagram.com/woolimusic/

For More Information on Firepower records:

www.firepowerrecords.com/‎

https://soundcloud.com/firepowerrecs

https://www.facebook.com/FirepowerRecs

https://twitter.com/firepowerrecs‎

www.youtube.com/user/FirepowerRecs‎

For Press Inquiries, contact:

Lee Underwood

lee@firepowerrecords.com

Publicity Manager I Firepower Records