Leading the EP is “All I need”. The track takes no time at all sinking its hooks in by offering up a catchy vocal that eventually acts to balance out the essentially aggressive edge of the track. But the strength of this track is in the range of bass music beat structures Jarvis explores. Halfway through, the track shifts surprisingly into a filthy rolling swampy beat. RIP your neck.

With “Discotheque”, Jarvis dips back into rave history and creates a superior homage of sorts to the electronica rave anthems of the past. The top lines and melodies reflect the subtle and less intense synth arrangements of modern dubstep. Listeners can experience this track while imagining slipping into a warehouse party circa 1997. This would be a solid track to shift up the vibe of any festival set.

The title track “Hit The Deck” featuring Born I Music goes all in. This is Jarvis at his finest, and he’s created a fantasy track putting forward his best sound design techniques in one 3-minute stretch. From an 808-fuelled buildup, to insane growls and murderous synth stabs, the track is a perfect canvas for Born I Music’s vocal swagger.

Rounding out the EP is “Wait For Me” and it shows off Jarvis’ skill as a true composer. A pop hook is absolutely slayed by Jarvis’ superb synth structures. His use of a live guitar feature over a trap beat is incredibly intoxicating, and it proves his far-reaching vision. Perfect for massive festival sets.

More on Jarvis:

http://www.jarvismusic.co.uk/
https://www.facebook.com/JarvisMusic/
https://twitter.com/Jarvismusic
https://www.youtube.com/user/JarvisDubstep

More on Firepower Records:

http://firepowerrecords.com/
https://www.facebook.com/FirepowerRecs/
https://twitter.com/FirepowerRecs
https://www.youtube.com/user/FirepowerRecs

For press inquiries:

Lee Underwood
Manager of Publicity I Firepower Records I Twitter @LeeFPRecs