The EP begins with “Apocolypse”, and the listener is immediately introduced to a classic Dub structure. Very quickly, though, Ponicz precise sound design techniques are put on display. Melding classic elements with contemporary synth structures, this sinister track moves along in a rolling head-nodic rhythm. The synth is heavy, and “Apocolypse” could easily fit into massive festival set as easily as a dark warehouse rave.

The title track, “36 Chambers” re-conceptualizes how we perceive the limits of bass music. As the track rolls in, a haunting euphoric melody sets the tone. Ponicz use of a Riddim inspired beat pattern is matched through his implementation of aggressive stabs. He brings the listener in and out of a dream states by soothing us with his uncanny melodies and then slamming us with iron-fisted synth stabs.

“Outlaw” capitalizes on Ponicz unique buzzsaw synth invention, and the results are crushing. He infuses the beat with a gut-rumbling sub-bass that accentuates the high ends and toplines. This track’s strength is in Ponicz ability to build in a sound narrative that increases in strength as the song progresses. Again, there’s a throwback Dub feel, but the wall of sound he creates puts it in league with festival set weapons.

The tracklisting for 36 Chambers is:

1. Ponicz – “Apocolypse”
2. Ponicz – “36 Chambers”
3. Ponicz – “Outlawz”

For more information on Ponicz:

www.facebook.com/poniczdubstep

twitter.com/ponicz

For Press Inquiries, contact:

Lee Underwood

Manager of Publicity I Firepower Records

lee@firepowerrecords.com