YourChannel domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131ironband domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131Firepower Records is incredibly excited to kick off 2019 with no other than our heavy hitter JPhelpz, with his brand-new project. Aptly titled ‘Maximum Damage’ EP is certain to hit the masses with some serious ammo – you’ve been warned! The five track EP packs some serious heat from start to finish that’s sure to get those senses tingling. So, proceed with caution!
Starting things off, JPhelpz showcases “BREAK YO NECK”which is very straightforward with its intentions, as you can tell from the title. With a haunting introduction that warns to proceed with caution, things take a turn for the danger zone before you’ve been able to properly grasp what’s to come. Leading straight into a pulverizing bassline, JPhelpz aims at pure destruction with a bassline that aims for blood with two drops that settle in the forefront of your subconscious, leaving you hungry for more.
Following up in proper fashion, “DAMAGE”steps up to the plate with a heavily influenced hip hop introduction that entices right from the start. Flexing with some serious mech vibes, JPhelpz stuns with an impeccable break down with a jumpy step that’s sure to get the masses rockin’ from side to side, before the bassline really sinks its teeth into you. With a second drop that settles in even better than the first, JPhelpz proves “DAMAGE” isn’t meant for the faint of heart.
Next up, “OG”brings the heat in proper JPhelpz fashion – you know what we mean here. Returning to the throne with his signature sound and aggressive buildup, JPhelpz quickly proves his talents are simply unmatched. Shedding light on a wobbly bassline that’s meant to get those booties percolating, JPhelpz keep it grimey with a heavy low-end that takes over your body before you know it. With a second drop that comes in for the kill, “OG” reaffirms his status as one of the genres biggest players.
With heavy roots in the genre of metal, it’s only proper that JPhelpz brings them to the forefront with “SUPPRESSOR”as it grips your attention right from the start with relentless guitar riffs. Aiming right from the jugular, the ominous introduction wastes little time before pulling out all the stops with a wobbly bassline paired with gnarly growls that cause some serious bass face. Leaving some breathing room between drops, JPhelpz makes sure to finish off strong with a second drop that hits even harder than the first.
Closing out the project proper, JPhelpz pulls out all the stops with “TANKED”. Hitting the ground running with another wobbly bassline, “TANKED” offers up some serious heat in the form of unrelenting bass oblivion. Serving up a flawless high energy beat, this one certainly shows off in true JPhelpz style. Moving you into another dimension of dizzy bassline aftermath, “TANKED” doesn’t let up from start to finish and showcases the infectious sound he’s known for.
The tracklisting for ‘Maximum Damage’ EP is:
For more information on JPhelpz:
www.facebook.com/jphelpzdubstep/
For more information on Firepower Records:
https://www.facebook.com/FirepowerRecs/
https://www.instagram.com/firepowerrecs/
https://soundcloud.com/firepowerrecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For press inquiries, please contact:
Bianca Silva
Publicity Coordinator | Firepower Records
]]>“Ghost Boogie” starts out strong with a powerful guitar ballad riff, an homage to the heavy rock background of Hi I’m Ghost, and it will anchor the tune through it’s insane drops and expertly crafted synth designs. But what catches the conscience of the crowd is the precision of the audio engineering. Sounds layered together create an impenetrable wall of noise that rattles guts and claims souls simultaneously. It’s festival ready and will test the integrity of whatever speakers it’s pushed through.
“Pow Pow” can go ahead and claim it’s rightful position on your setlist. An ominous buildup hypnotizes the audience, dropping them into a vicious Riddim roller all at once. What follows is complete audio annihilation, and the pulsing synth constructions are designed to instigate egregious displays of gunfinger maneuvering. As with “Ghost Boogie” the prevailing characteristic of the tune is its creativity. The track pulverizes the audience with a range of clever design techniques, which will keep crowds hooked on every sound.
For more information on Hi I’m Ghost:
https://www.facebook.com/hiimghostsound
https://twitter.com/hiimghostsound
https://www.instagram.com/hiimghostsound/
https://www.youtube.com/hiimghostsound
https://www.hiimghostsound.com/
https://open.spotify.com/artist/7IyxUmBgkkV4jh7kHoip34?si=aOH-fQUFQGWPTM37n7LFtg
For more information on Firepower Records:
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For Press Inquiries, contact:
Lee Underwood
Publicity Manager I Firepower Records I Twitter: @leeFPRecs
]]>Starting the EP is “League” featuring Datsik, and it’s a full-on audio assault. The tune leads in with a sinister buildup and drops straight into the purifying fires a bass fueled inferno. As the track cycles through various inventive beat structures, the alternating sound designs pioneered by both Carbin and Datsik engage with each other. The experience is like listening to two phenom musicians taking turns showing audiences the range of their musical potential. The result is a tune that is always reshaping itself into bigger and bigger drops.
“Twenty-2-Life” is Carbin at his most formidable. With a euphoric topline initiating the track and a powerful sub bass rumbling guts underneath, this future classic riddim roller is designed to leave audiences in puddles. Carbin’s notorious synth stabs only feeds the frenzy, and his wall-of-sound design technique ensures a total immersion in the tune. Carbin knows exactly what he wants to do, always has, and an even more acute sense of how he wants the audience to react. “Twenty-2-Life” is study in crowd control.
Next up is “Not Your ID”, and like “Twenty-2-Life” it pumps from the bottom to the top. A heavy sub-bass undergirds the tune, carrying it along like a deep ocean swell. Carbin sustains the wave with expertly arranged synth structures and layering designs that fill the entirety of the tune. As the track crashes onto audiences on the dance floor, they’re swept away into bass bliss.
“All Night”, featuring the crown prince of bass music lyricism, Armanni Reign, slows the flow of the EP down for a sexy trap-hop hybrid. Booties will drop, and as Carbin invites us to shed our often restricted day-time personas for the creative potential of our ratchet rave avatars, we’re reminded about the importance of getting deep, down, and low.
Ending the EP is “City Lights”, and it’s a gorgeous euphoric treatment of bass-hybrid theory. Similar to “All Night”, Carbin slows the dance floor down and centers the energy of the tune on the groove centers of our consciousness. These last two tunes reveal a musical intelligence that outstretches the frame of the genres in which Carbin produces. His range is unlimited and his style is impeccable, and both characteristics will carry Carbin into the upper echelons of Bass Music’s hall of heros very soon.
The Tracklisting for The Formula is:
For more information on Carbin:
https://www.facebook.com/CarbinOfficial
https://twitter.com/CarbinOfficial
https://www.instagram.com/carbinofficial/
https://www.youtube.com/channel/UCLjGG7UHLWH_o16m3zqd_OA
For more on Firepower Records:
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For Press Inquiries, contact:
Lee Underwood
Publicity Manager I Firepower Records I Twitter: @leeFPRecs
]]>Los Angeles (November 13, 2017) – Firepower Records is set to release London Nebel’s debut EP, Propaganda, on November 24th. Hailing from Berlin, this duo possesses a rare genius level talent when it comes to bass music production, and with this project they remind us that the highly conceptualized form of art that is EP construction is not dead. Propaganda pursues the paradox of reality and the failure of online technology to mend our fractured selves or to make us freer, better people. Firepower hasn’t released an EP this deep, dark, and stylized since Truth’s Hollow World EP. With Propaganda, London Nebel uses their talent to do what art should do—put a mirror up to reality and do the tough work of telling us who we are in this present historical moment.
The first track, “Propaganda”, comes out swinging. As London Nebel sears their chainsaw synths into our brain cases, they deliver a potent message using expertly selected samples from across the media universe. By enhancing their subversive messaging with a masterful production technique, they reveal themselves as clairvoyant musical story-tellers. From the sub-basement beat constructions to the searing synth stabs, “Propaganda” will infect your entire mind, body, and soul. Make sure you peep Rekoil’s insane remix of this tune, which rounds out the EP. Rekoil’s sonic vision launches the tune into hyperspace, and it gains a much harder and nastier edge.
“Mothership” ventures deep into the dark matter of Space. A playfully ominous series of stabs create a dark and sinister vibe characteristic of the deep dub of the UK underground. The tune employs a filthy buzzsaw synth construction which London Nebel tweaks until its melody takes control of the entire body.
As the EP progresses, London Nebel continues to unravel the fragile illusion of self. “Confusion” is a warning translated into the language of wubby Dubstep. London Nebel takes their time with this tune, weaving a sonic narrative out of sub bass and nightmarish growls. Their attention to detail here is superb. From the subtle tinkering taking place just below the surface to the perfectly placed vocal sample, the result is a track that transcends your run-of-the-mill headbanger.
London Nebel’s “Looney Tune” continues to travel down that dark and shadowy road. A rainstorm sweeps in, leaving the average Dubstep daytripper woefully unprepared for the insanity that pours from the track. A beloved classical piano section floats through the background of the tune, increasing the theme of social isolation weaving the EP together. But when Disney’s Goofy breaks in unexpectedly, your psyche snaps, and it’s madness that reigns. With early support from a handful of Bass Music’s elite including Dubloadz, this tune has already scorched the bass music landscape.
The Tracklisting for Propaganda is:
For more information on London Nebel:
https://twitter.com/LondonNebel
https://www.facebook.com/londonnebel
https://www.youtube.com/user/LondonNebelTV
https://www.instagram.com/londonnebel/
https://open.spotify.com/artist/0cwyC8pHkOvEtml1ev25lX
https://soundcloud.com/london-nebel
For more information on Firepower Records:
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For Press Inquiries, contact:
Lee Underwood
Publicity Manager I Firepower Records I Twitter: @leeFPRecs
]]>
Firepower Records is set to release the 7th installment of our Flatline Compilation on November 17th, 2017, and it features a squadron of next generation battle-ready bass bombardiers. Since its inception, the Flatline Compilation has featured the brightest and most diverse new talents emerging in the bass music world. Don’t be fooled—the names you see on the track list may be new, but one spin of the track and it’s clear these artists are wise beyond their years.
First up is Felmax and Purge with “Gangsta” and it’s a trippy Trapstyle heater. Deep sub-bass structures roll underneath a sinister series of nightmarish synth stabs. The expert lyricism haunts the tune, and as the massive drop hits, you’re already trapped in a gangsta’s bad dream.
Noya comes out swinging with “Sanctum”. A filthy dub-riddim hybrid beat is punctuated with a scorching synth construction designed to level entire city blocks. There are sections of this tune powerful enough to brings dance floors to their knees instantaneously, which makes this track a must-have set-list weapon.
Blaqout’s “Filthy Friend Switch” reveals a producer in complete control over his production abilities. No surprise there, he’s been crushing the bass music game for a while now. This tune is immensely creative, technically complex, and proves Blaqout is ready for the main stage.
Orii is not playing around when it comes to “Vicious”. With years of professional production mastery under his belt, ORII recently switched gears and is investing his encyclopedic knowledge and phenom-level talent into bass music—this tune is the result. Microscopic in his approach to track engineering, the tune goes through multiple iterations of bass music vibes and ultimately lands on a metal-inspired double up designed to ignite crowds into a frenzied madness.
The tracklisting for Flatline Volume 7:
For more information on Firepower Records:
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For Press Inquiries, contact:
Lee Underwood
Publicity Manager I Firepower Records I Twitter: @leeFPRecs
]]>Los Angeles (October 10th, 2017) – Firepower Records is thrilled to announce the forthcoming release of YOOKiE and Wooli’s scorching new collaboration, “Voodoo”, on October 20th. YOOKiE’s diverse take on bass music and their willingness to explore the more euphoric realms of EDM has landed them a series of hugely successful bangers with some of the biggest producers out there. It’s an absolute dream to have YOOKiE release Voodoo with the Firepower Fam. Wooli has been busy casting some seriously sinister spells on the bass music world from his home base in Rochester, New York. His first EP with Firepower Records, The Cave, revealed a producer unafraid to deliver the heaviest of beats directly into the synapses of our pre-historic brains. Together these two forces are using their collective power in the service of fulfilling their vile vendettas through sonic savagery.
“Voodoo” immediately establishes an ominous tone through the visual imagery of a dark ritual. The Trapstyle intro combines with the hex of the high priest, and the first drop is a full on neck-breaking Dubstep assault upon its victims. But every victim deserves a different end, so YOOKiE and Wooli engineered a track with three distinct sections. The second drop delivers a bone crushing Riddim section designed to crumble its victims to their knees. Finally, the tune blows the doors off with a Hardstyle double-up, and the chaos of a dance floor rampage is the method of vengeance. Taken together, the track works its voodoo onto the audience so thoroughly, that you may be questioning how much power any one DJ should have. Add this tune to your collection of spells, but use your new power wisely.
For More Information on Wooli:
For more information on Yookie:
https://www.facebook.com/yookiemusic
https://twitter.com/yookiemusic
https://www.instagram.com/yookiemusic/
For More Information on Firepower records:
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For Press Inquiries, contact:
Lee Underwood
Publicity Manager I Firepower Records
]]>