YourChannel domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131ironband domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131__construct() instead. in /homepages/39/d529010842/htdocs/wp-includes/functions.php on line 6131Your music never fails to bring the filth, but what were you going for with this EP that you didn’t do with you previous recordings?
I really tried to branch out in terms of my sound design and not just use what I was comfortable with. I used the same patches for a few years because they ‘sounded like me’ but I really wanted to make some new stuff that sounded more modern.
Can we talk about your EP artwork? We know you worked closely with our good bud and Firepower Artist Solid Soul. What are some elements that are tucked into the piece you’d like to tell us about?
This is by far my favorite piece of artwork ever. It fully captures me as a person and Eric did such an amazing job, I am forever grateful. There are over 20 little easter eggs hidden in the art. My favorites are my cat Tenders that has gone Super Saiyan and a few video game references. I don’t want to give too many away though because I’m planning on having a contest to see if anyone can find them all.
When you’re on the road, what kind of food are you looking to eat before the show? What’s your meal of choice?
I eat like absolute shit on the road and wish I didn’t haha My go to meal would be either chicken tenders or some hot AF wings. You can’t ever go wrong with tenders.
What’s one thing you can think of that defines your childhood?
Definitely Nintendo games. I used to play this one level on Donkey Kong over and over just to listen to the music that was playing. I think that was my initial spark of interest in weird sounds that would later evolve into a love for dance music.
What job would you want to have if you weren’t making music?
Video game journalist or a game tester.
]]>Los Angeles (July 27, 2016) Firepower Records is set to release AFK’s forthcoming Disconnected EP on August 19th, and we couldn’t be more stoked. “Death Gun”, his most recent release with Firepower, was one of the most demanded tracks on this year’s Kamikaze Compilation. The dude can throw down, and this EP is red meat for any die-hard bass music fan. In celebration of the event, AFK is throwing in his remix of “Pressure” as a free download. DJs all over the planet have been pumping the track, and now you can have it all to yourself!
Starting the EP is “Gleam Eyes”. AFK has always experimented with different modes of self-expression in his music, and that is clear here. A playful and whimsical key section leads into a filthy drop and nastier buzzsaw synth. The two components, seemingly opposite, compliment each other while messing with the listener’s sanity. By moving into “Coffin” featuring Crichy Crich, AFK shows a harder, grittier side. Crichy Crich’s swagger AF attitude makes the track a good mid set heater that will have crowds busy on the dance floor.
“Too Late” gets real sinister real fast. A heavy rolling bassline marches hard underneath a murderous synth arrangement, breaking just enough to build a drop that will melt faces into little puddles of human. But it’s with “Unshakeable” that AFK shows the extent of his production prowess. The featured vocals float angelically through the track, carried along by a beautifully euphoric melody. But as AFK moves into the harder elements of the song, the vibe moves into headbang territory and doesn’t look back. This is a peak hour track to have ready to roll in any serious DJ’s set.
The Tracklisting for Disconnected is:
For more information on AFK:
For more information on Firepower Records
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For press inquiries, contact:
Lee Underwood
Publicity Manager I Firepower Records I Twitter: @leeFPRecs
]]>You’ve been a fixture in bass music for a while now. What’s a significant moment in your career when you feel you evolved the most as an artist?
Two of my best friends, Klint & Adam, started a management agency that I signed with a couple of a months ago. Since then we’ve been working together everyday at my place. Having a team around me that’s motivated and hyped about my music has been a game changer in my career and evolution as an artist.
When it comes to producing, are there certain conditions you just can not work under? Describe your ideal work environment.
Any studio with better monitors than mine would be ideal haha Other than that, I just can’t stand having too many loud people around me. A few is fine for feedback, other than that it’s too distracting.
Are you all about the artificial intelligence, or freaked out by it? Why?
I am all about the AI and welcome my AI overlords. If they aren’t already here… I’m slightly convinced the real world is a simulation designed by machines lol
If you were asked to host a dinner party for 3 famous people alive or dead, who would they be and why? Followup: what would you cook?
David Choe, Joe Rogan, Bill Maher. I have listened to each of them talk for hours and hours of my life and I feel like it would be a good time. Imagining dead people at a dinner party makes me uncomfortable. I would probably serve them chicken tenders 
What’s your biggest pet peeve?
My biggest pet peeve is people on their phones while we are trying to watch something of importance. I.E. Game of Thrones watch parties at my place… I always gather everyone’s phones and hide them until the episode has concluded.
Los Angeles (April 18th, 2016) Firepower Records is proud to announce the next release of our Shellshock Compilation, Kamikaze, and we’re getting early reports that it’s already setting flammable material ablaze thousands of miles away. The release of our yearly Shellshock Compilation also gives us a chance to reach out to you, our extended Firepower Fam, and celebrate the fact that you are what make us so strong.
Since its humble inception in March of 2012 by Troy Beetles— Datsik by his nom de guerre—Firepower Records has evolved into a bass music behemoth, releasing heavyweight producers like Datsik, Protohype, Getter, Barely Alive, Truth, Bear Grillz, Mayhem, Antiserum, Fox Stevenson, Must Die, PhaseOne, Terravita, ETC! ETC! and Trolley Snatcha and featuring Hip Hop and Rock royalty like Snoop Dog, Trinidad James, KRS-One, DJ Paul KOM of Three-6 Mafia and Travis Barker of Blink 182. The Firepower Family currently claims 65 artists and counting and on May 13th, the label will showcase the best and most badass it has to offer. As a show of overwhelming support, some of dance music’s heaviest hitters have signed on by offering tracks exclusively for the ShellShock Kamaikaze release. The tracklist reads like a bass music “best-of” list. If Bass Music had a fantasy league, this would be a winning line-up.
But Firepower is more than a disjointed and disconnected series of artists and tracks. We like to consider ourselves more of a Family and the ShellShock Kamikaze release as more of a family reunion. Firepower Records is a label and an internationally respected dance music brand, but it would be nothing without the like-minded artists, friends, neighbors, and fans that hold it all together and keep it alive.
There’s no finer example of the familial nature of the bass music world than the first collaboration on the Compilation. Datsik and 12th Planet come together with a dub infused “Party In The Sewer” featuring Elan, and it’s massive. A one-man wub factory, Datsik smashes the track with his signature wobbles, while 12th planet puts his creative beat creation and swampy sound techniques to work. Next, returning family member Bear Grillz throws down with “Nap Gurlz”. The disco hook pumps your impulse to dance and the drops will snap your neck if you’re not prepared. A quick word though–this track is in no way associated with the good people of Nap Girls, and if you’re interested in who they are, check them out! Protohype and Stratus put in work with “Let’s Do This”, and as expected the two artists march us through a spectrum of sound structures so diverse you lose your mind trying to keep track. Soltan continues to impress us with his creative vision. With “Turn Up” he takes Bass Music to the edges of the known universe and then hits lightspeed. Soltan is easily one of the new visionaries, and we should all be watching him closely.
EH!DE and Funk4mation peel the roof off with “Come Back”, and the Bass living under the basement of this track is scary and mad. EH!DE’s been crushing it recently, but it goes without saying that this has been the year of Zack The Lad. His release Black Sheep began the Firepower Records release calendar in 2016 and we just can’t get enough. It has been said that Datsik only has a few artists loaded into his personal iPod, and one of those artists is Zack The Lad. Here, he offers us “Won’t Stop”, and his production skill is immediately superior.
Spag Heddy is back with “Hugs and Stuff”, and we couldn’t be more stoked. A definite fan favorite, Spag Heddy has released nothing but fire. The opening wraps the listener with sonic sunshine and then slams your ass to ground. That must be the “Stuff” in the title. Init, Goldplate, and Hami all put in on “Greens”, and with all three of these stellar talents maximizing potential, the result is an epic facemelter. If there’s any way to guarantee the crowds will run a mosh pit on you, hammer this track through the sound system.
It’s been a while since AFK rolled out a release with Firepower Records, and we’re glad to have him back. “Death Gun” showcases the frenetic and yet focused musical mind of AFK. The synth takes us all over the sonic map, and we love it. We also love Drum and Bass, and what’s bass music without a little heavy Drum and Bass? Leave that to MineSweepa. “No Face” takes bass very seriously. The shift to Drum and Bass is perfectly placed in the track and by the time it hits, you’ve separated your mind from its corporeal lodgings. Rounding out the EP is Twine. They do nothing but amazing work, and it’s clear by the complexity of their productions. “Dayjahvuh” is another reminder that Bass Music is nowhere near finished evolving. The beat structure, with its diversity of fills and intricate sound designs, is both groovy and heavy.
The collection of talent contained in the Shellshock Kamikaze Compilation represents the best of what bass music has to offer and we’re happy to be sharing it with you.
The tracklist for Shellshock Kamikaze is:
For More Information on Firepower Records
https://soundcloud.com/firepowerrecs
https://www.facebook.com/FirepowerRecs
https://twitter.com/firepowerrecs
www.youtube.com/user/FirepowerRecs
For Press Inquiries, contact:
Lee Underwood
Publicity Manager I Firepower Records
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